Beckett’s Last Mixtape – Chapter Three

I lose track of what Mr. Morrison is teaching because of the girl I share a table with.

English Literature is an elective, but taking it now means I don’t have to take the second semester of English senior year. I’ll be ready to get out of high school by then, I’m sure.  I can feel it. High school pretty much bites, and it’s only September.

We share small tables in Lit instead of individual desks. Mr. Morrison’s classroom is the best-smelling of any I’ve been in, and there’s a rumor he lights specialty fragrance candles when no one’s here even though there is no way open flame is allowed. Today it smells like pine.

His classroom is wallpapered with musical theatre posters like Les Misérables and Phantom of the Opera, and every Spring he takes groups of kids to London. I really don’t care about musicals, but I like Mr. Morrison and it would be cool to go to London to see all the castles. I don’t think my parents can afford to send me, but I plan on asking anyway just in case.

But this girl . . .

She and I say Hi to each other in the morning when we get here, and usually See ya! when class is over. Sometimes one of us will ask the other to borrow a pencil or sheet of paper. But that’s it.

I can tell she’s pretty; meaning, I recognize she is attractive. I can discern—by any conventional standard—most people would agree her body is structured in such a way as to elicit arousal, envy, or some mixture of the two; and that her facial features, her hair, and all her “vital stats” fall within the parameters of modern American beauty.

I’m talking here about a girl who, if she closed her text book, turned to me and said, “Listen, if you’re not busy at lunch, I would totally have sex with you in the library study room,” I would most likely reply, “Well, I mean, sure, okay.”

That is what I am supposed to say in such an unlikely event. And, who knows, maybe she’s got a winning personality, or works in a soup kitchen, or is secretly solving the cure for cancer. I’m not trying to objectify her. I don’t think. Am I? I probably am.

Which is another thing I’m supposed to do if you look at the magazines and Playboy channel when it pops on for second between changing channels.

I should be attracted to her.

I’m not.

Goddammit, I’m just not, and I don’t think I ever will be, and someone’s going to figure it out sooner or later.

Maybe if I put some effort into it? She has long curly hair that’s practically the color of a new penny. I think she’s older than me, too, like maybe a junior or even a senior. Also he’s very . . . developed.

There’s just nothing outstanding about her to me. She’s a paper doll, just one more in a long line of attractive lookalikes I’ve seen at this school.

But . . .

I don’t think that’s why I don’t like her the way I’m supposed to.

So every day, I keep her in the corner of my eye while Mr. Morrison goes on these rambling diatribes about Elizabeth Bennet and Helmholtz Watson and Daisy Buchanan.

I pretend to glance out the window when I’m really looking at her chest. But I do it really quick, so she doesn’t notice. I don’t want to be rude or crude. Sometimes she sits cross-legged on her orange molded plastic chair, and her legs, which always seem very tan, sneak into the folded edges of her Guess jean shorts. So I clandestinely look at her skin there and if she’s really not paying attention, I follow the line of her thigh into the denim and stare—for only a second or two—at the middle spot where the four seams of her shorts join.

And I think: C’mon, come on, man . . .

Nothing happens. No jolt of excitement, no . . . you know. Turn on.

Nothing until today, when she turns to me so quickly that I get startled and almost fall backward out of my chair.

“What?” she whispers as Mr. Morrison sallies forth, as he likes to say, about some Shakespearean character named Antonio.

“What?” I whisper back, while very, very quickly lifting my eyes to hers.

I can smell cinnamon on her breath as she whispers. “What did you say?”

“When?”

“Now.”

“Just now?”

“Yes.”

“I have no idea.”

She frowns. “It sounded like you said ‘come on.’”

I make myself frown right back, like she’s crazy. “Uh, no! No. Why would I say that?”

“I don’t know.”

“Do you want to go out?”

“Mr. Anderson and Ms. Haight!” Mr. Morrison calls. “Perhaps you would like to enlighten us on the subject of metatheatre in Shakespeare’s immortal comedy, Twelfth Night?”

“No thanks,” I say.

“Nah, I’m good,” she says.

“Then zip it,” Mr. Morrison says, with a smile, because he is a pretty nice guy. “Now! Let us sally forth . . .”

We both nod. Mr. Morrison goes back to his lecture.

I write on the corner of one sheet in my notebook: Your name is Hate?

Smirking, she spells beneath my writing in block letters: Haight.

I give her a nod and thumbs up when Mr. Morrison’s back is to us.

She writes: Did you ask me out?

Crap. I did say that, I heard myself say it, I just don’t know why I said it. And she totally heard it.

Now I have to answer.

But she keeps writing before I can: Are you a freshman?

Yes, I write. You?

She writes two letters: J R

Then that’s it, she doesn’t write anything else. I have no idea what to say, but I am pretty sure she didn’t just suddenly forget that I blurted out asking her on a date.

Which . . . why did I even do that? Maybe as a distraction? She did catch me totally checking her out, even though that’s not technically what I was doing, not in any traditional way.

She taps the end of her eraser on the table while Mr. Morrison acts out a scene from Twelfth Night, complete with different voices and postures for each character. He’s terrible, and he knows it, so it’s actually kind of fun. Everybody laughs.

There are four minutes left of class when she suddenly scribbles on the paper. Just two more letters.

O K.

I’m honestly not sure what that means, so I spend the last four minutes squinting at the letters, then at her. This appears to amuse her.

The bell chimes, and everyone jumps up except us.

“Okay, what?” I say over the sound of thirty people slamming notebooks closed, zipping backpacks shut, and shuffling toward the door.

Smirking again, she says, “Tomorrow night. I’ll pick you up. Where do you live?”

It feels like my head slowly twists around like the little girl in The Exorcist.

“. . . What?”

Laughing, she—I am not making this up—pinches my cheek, like a grandma.

“You’re so cute! That’s why I’m doing it. Here. Write down your fucking address, freshman.”

Hands numb, I somehow manage to scrawl it out. She tears the paper from my notebook.

“Seven o’clock tomorrow. Dress nice. See ya!”

“Wait!” I call out as the classroom empties and she’s dashing toward the door. “Um . . .  what’s your name?”

“Jenn! Bye, Tommy!”

Then she’s gone, her laughter trailing behind her, and the next bunch of students wanders inside while I’m still standing here like an idiot at our table.

She knew my name? But I didn’t know hers?

Well, regardless. I guess I’ve got a date.

With a very attractive junior girl, no less.

Who apparently drives. So that’s cool.

. . . I just don’t care.

Is that a problem? Because it feels like a problem.



Hello, my friend! I hope you’re enjoying the story. Take a look at other stories and more at my linktree here:

linktr.ee/tomleveen

See you soon!
~ Tom

Beckett’s Last Mixtape – Chapter One

Friday, October 5, 1990

 

BECKETT

 

 

While it’s still only the first quarter of my first year at Camelback High School, so far my grades are a steady chord progression of Cs and Ds with an occasional F. When I walk home for lunch and Dad shows me this mid-term report, I call it the sheet music for “House of the Rising Sun.”

Dad gets the joke, but doesn’t think it’s funny. He looks pretty pissed, and it’s making me nervous.

I’d thought I would have time to bring my grades up before first-quarter report cards were sent home, but it turns out the school keeps track of things like this. And lets parents know.

Dad frowns at me as he re-strings his turquoise Rickenbacker bass. Mom hides in their bedroom, but that’s not unusual. She’d been apathetic about most things lately, including my grades.

Lately meaning like a year or more.

Actually . . . that might just be since I noticed.

After third period today, Anthony Lincoln invited me to his family cookout tomorrow afternoon at their house. I’ve known him since we were little, and our families have hung out many times. His family plans to talk on the phone to his brother Mike who’s halfway around the world. I didn’t think going to the cookout would be a big deal, but the mail’s arrived and Dad’s not too keen on letting me go.

“The cookout’s for all of us,” I tell Dad as he balances the bass on one knee. “We’re all invited.”

Dad and Mom have a gig tonight. At the shows, Dad’s hair reflects a rainbow of stage lights: orange, yellow, blue. Right now, the Phoenix sun shining through the living room window in our apartment reveals that his long, light brown hair has strings of gray in it that match the steel strings he guides through the bridge and bridge saddles.

I keep talking, hoping to distract him. “Antho said specifically that his parents want you and Mom to come, too. Ashley’ll be there, and her mom and dad—”

“But those grades, kid,” Dad says, spinning a machine head to wind the E string tight. “You need to spend every extra hour you got on getting those things up.”

Mom walks by right then, from their bedroom to the kitchenette. No—not walks. Shuffles. With bare feet. Her shoulder-length hair is clumpy and spaced as far apart as strings on a harp. She’s got a cup of coffee in her hand but I don’t see any steam. But there’s a new pot bubbling away on the counter, filling our shared space with the aroma of store-brand coffee. The coffee at Antho’s house smells a lot better.

“Of course she can go,” Mom says through half-closed eyes. She’s probably taken one of her pills. “It’s the Lincolns, Rob. It’s fine.”

“This isn’t about the Lincolns, Jennifer, it’s about Beckett’s grades, did you see this note?”

He points to the TV tray beside his chair. Gray fluffy stuffing sticks out the back of the seat. The little pink card with my current grades is from one of the Vice Principals, or at least his office, saying that I’m basically in danger of failing almost everything from Art to English. Even my music class is a C.

I haven’t been going lately.

Mom stops. Stares at nothing. She’s wearing a frayed yellow bathrobe open over loose jeans and a puckered black bra that may be older than me.

To Dad’s question, she has only this response:

“No.”

Then she goes on into the bedroom, shutting the door behind her. Mazzy Star starts up a second later. Red, oh red, the taste of blood . . .

Dad looks at the closed door for longer than a second before blinking and turning back to his instrument. His frown is deeper.

“We don’t know when we can talk to Mike again,” I tell Dad, and sit on our sun-faded brown couch against the wall. I punch the middle of my long blue linen skirt between my knees. “Antho said stuff’s really heating up over there.”

“Bush ran the CIA, he knows not to start a war with Iraq,” Dad says, winding another string. “Mike’ll be fine.”

“Still . . . come on, Dad, please?”

He sighs. “Why the bad grades, kid? What’s going on, huh? You on something? Is there some boy? What?”

I sit back and tap the fingers of my left hand rhythmically against my thumb. The callouses feel like the heel of my foot. Of all people, Mom and Dad should understand why I’m not spending a ton of time on homework. I just want what they have. To be out there, doing it. Making the music. Performing.

Dad isn’t so hip on the idea. Looking around the room, I guess I sort of understand why. Antho’s parents are both lawyers—and he probably will be too—and they have a beautiful house in Scottsdale, with polished hardwood floors and a red brick patio and barbeque. We live in a two-bedroom upstairs apartment with second- and third-hand furniture. The carpet springs curled pigtails of green thread every few feet. I haven’t gotten new clothes since Mom’s mother died a few years ago. Grandma Sue used to come into town once a year and take me shopping as both Christmas and birthday gifts while clucking about Mom and Dad’s “chosen profession.” The three of us shop at Goodwill when we need something.

All of which is fine with me.

And that’s my point. I’m used to it, but this is not what Dad “wants for me.”

Which is kind of hypocritical. He never graduated high school. He’s been gigging since he was like fifteen. Far as I’m concerned, that means I’m ready.

Dad plucks the unplugged bass, tuning it by ear. The E string rings out, tickling the soles of my bare feet.

“It’s just, it’s this one song,” I say. “I’ve been working on it since summer. It’s for Ashley and Antho.”

This gets Dad’s attention. He stops tuning. “A song, huh? What do you got so far? Let’s hear it.”

“I can’t, it’s not ready. It’s barely even chords yet.”

“Got lyrics?”

“They’re like . . . absent words, in my soul, sing to you alone . . . I don’t know.”

Dad resumes tuning the A to the E, “Damn. That voice of yours, kid. Gets me every time, you got that from your mom. Jesus. Okay, sorry, focus: this stuff with your grades. It’s gotta stop, Beck. You gotta bring those things up. Okay?”

Sensing a break, I say, “Yes. I’ll take care of it.”

“All right.” He tunes the A to the D.

I lean forward. “So I can go tomorrow?”

“All right. This time. But I will remember this conversation when your report card comes in.”

I get up and hug him. “Thank you! Are you guys coming?”

“It’s tomorrow night? No, we have a show at the Jar.”

“I’ll them you wanted to.”

Dad tunes the G to the D. “Yeah, do. Haven’t seen the Lincolns in a while.”

That’s true. I see Antho at school every day, but we haven’t gotten all the families together since maybe seventh grade.

I get a glass of water from the tap and go into my room, determined to get a head start on my math homework.

. . . Except instead, I pick up my Gibson Epiphone from its stand beside my window and play along with She Hangs Brightly bleeding through the thin wall from their bedroom. I’ve already figured out most of the chords.

Neither Mom nor Dad says anything about me playing instead of doing homework. I play through lunch.

And fifth period.



Hello and welcome to Beckett’s Last Mixtape!

Beckett was originally going to be a thesis for my MFA. Things happened, as things often do, and now I’m bringing it to life here on this platform as a serial novel instead.

Because I want you to have it.

When I was a kid, I told and wrote stories endlessly. Handwritten…typed on a manual typewriter…acted out in my backyard…recorded as improvised audiobooks.

And then, sometimes, I shared them. With Jennifer at the back of the school bus. With Jene during lunch. With teachers. With Brendan around the corner in my neighboorhood.

With anyone who’d take the time to read or listen.

It was me at my best, and so I want to do it again.

I hope you enjoyed Chapter One. I hope to post twice a month. Let me know what you think at any of the usual socials – pick your fave, leave me a message!

Thanks for being here.

~ Tom

 

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