How My Make-Believe Daughter Got a Book Published

Posted on May 26, 2021May 26, 2021

I love all the kids in my debut novel Party, of course. And there is a little bit of me in each one of them. But I feel the most for Morrigan. My heart breaks for her.

I think it’s because she was based on a character I created who was an imagined child of mine.

Yeah. True story.

This is a promo mockup for the Party feature film, now called BUTTERFLIES.

I was dating someone and got to thinking about what our kids might be like. I smiled as I thought about it, and started writing a short little scene. In the scene, our kid–an only child, by the way!–was a teenager. A girl. And she and I were on our back patio having a conversation.

As happens often when I write, I lost track entirely of the story and just surfed the wave of inspiration. I felt invigorated when I was finished, and CTRL+HOME’d back to the top of the doc and started reading.

My jaw slowly dropped.

Our kid was in bad shape. I didn’t even know I was writing it like that. Far from being some tender, bucolic scene of heartfelt emotion, the scene was dark and broody and kind of unpleasant.

Worst — I didn’t come off too well in it.

That was the day I knew the relationship wasn’t going to go the distance. I was right. (Thankfully for both of us.)

So Morrigan was in many ways the first character to come to life in PARTY. When I had the idea to throw a bunch of dissimilar kids into a situation and see what happened, I knew the girl in that scene was going to be a part of it.

None of the actual words in that scene ended up in the published novel, but that’s her, no question.

Fan art commission of Morry.

Morrigan just wants to be seen. In particular by her dad. I know that feeling from both sides of it now. I try to remind myself of what happens to kids who get dismissed by their parents, and work harder at not letting that happen in my house.

Morrigan’s a good kid at heart. She really is.

I’m excited to see where she ends up in my new serialized novel, FADE INTO YOU, in which I pluck the characters from Party and plant them into the world of Zero – early 1990’s Phoenix in stead of early 2000’s Santa Barbara. She won’t be exactly the same — none of the characters will — but she’ll still be Morry, that sassy little brat who desperately seeks a connection to people.

So desperately it gets her into trouble from time to time,

But then, that’s where good stories come from, isn’t it?

If you’d like an e-book copy of Party, just click over to this page of the website, and I’ll email you one right away!

And if you want to learn more about the exclusive serial FADE INTO YOU, head over to patreon.com/tomleveen.

Talk to you soon,
take care,
~ Tom

That Guy

Posted on October 29, 2015November 19, 2015

I knew this guy. When he found out his best friend’s father had a sweet video camera, he immediately got permission to borrow it. Then, with the help of two friends, he made his first horror movie, using this borrowed camera, borrowed editing system, and zero budget. They had no script, and improvised the entire thing based on what this guy had in his head. In fairness, the film was not exactly well-made; I mean, how could it be? But to be fair even further, during its premiere — at his school — one girl did legitimately scream during a jump-scare, so in that sense it was kind of a success.

Also: he was thirteen at the time.

Then I knew this guy who wanted to get into a summer acting program that would have put him on the fast-track to a B.A. in theatre and likely some good acting opportunities around town. Maybe even . . . get paid. But when he and one of his best friends auditioned and the best friend didn’t get in but he did, he didn’t bother signing up for the program. He wasn’t about to waste a summer with a bunch of profs who couldn’t see the talent his friend had, nevermind spending the summer away from his buddies. He was eighteen at the time. Three years later, he and that best friend, along with two other best friends, wrote and staged a one-man show. They got a standing ovation opening night.

(Of course, that was only after he and a totally different best friend grabbed a camera and started shooting a television show in their spare time. He was nineteen at the time. He had a lot of best friends, that guy.)

It’s the same guy who, after seven years of being pretty universally disliked by his classmates, turned to face the kid who’d just insulted his clothes and calmly replied, “Fuck you.” And how the teasing stopped after that. He was thirteen at that time, too.

At fourteen, the seniors in his high school speech and theater department were going nuts because he’d qualified for the State speech tournament his first year, and went on to break to the semifinals that year. One of the “top twelve in the state!” he’d say. But it’s not the breaking to State that I admire; it was his entire attitude, which was — without a single shred of guile — “Does this mean I get to perform again? Oh, okay, cool.”

These are the highlights, of course. The lowlights are far too low for public consumption. But when this guy died (which I think was sometime around early 1994, though spots of his spirit resurfaced from time to time), I couldn’t help but miss that entire Fuck It attitude of his. He wasn’t cruel about it, to the best of my knowledge. He just set his sights on something, and when he did, he generally got it. Whatever he went after, he tended to get. And when he didn’t get it, he’d shrug it off and move on to the next thing. When he and one of his teams got an outrageously positive review of a play they did, they had a party. When they got outrageously negative reviews about another, he shrugged and dismissed the critic as a prick, and moved on.

I really miss that about him. His ability to not give a shit, in the best possible way.

Now, having said all that, the thing that always nags me is that on the one hand, he rarely took no for an answer. He’d get some weird, usually performance-related idea in his head (“Hey, let’s produce a play! Hey, let’s make a movie! Hey, let’s make a movie about a play!”) and then he’d go gather up a crew, most of whom would follow him wherever he led, even if that was to total financial ruin or artistic obliteration. I have no idea how he talked so many otherwise intelligent, rational people into following his craziness, but they did.

I miss that about him as well. I miss that about all of them.

But then on the other hand . . . was what he did really any good? I mean, demonstrably, quantifiably good? By any measure? And what measures can we even use, really? Plenty of mediocre people with mediocre personalities or talents have tasted far greater success, and surely a hundredfold better people with better talent have gone unnoticed. So what does it say about him if he was just sort of middle-of-the-road, relying on the good graces and patience of people in some way beholden to him . . . family, say, or other students who have no choice but to sit through that absurd horror movie.

The thing is, they didn’t make a movie; he did. But if it wasn’t all that good by any measure, then what was the point? And if that trend continued into his professional life . . .

I know this: He took his arts very seriously, but not necessarily himself. The times he got all brow-furrowed and tried to REALLY CREATE SOMETHING, it never worked. The stuff he just threw together on a whim always seemed to be received better. I’ll never understand that. Or maybe I’ll never want to.

In some ways, I’m kind of glad he’s not here to see what I’ve become. Parts of my life would make him scream with pride and envy. Other parts would make him wince and say, “Dude, what the fuck are you doing? You don’t got to take that shit.” Yet I keep on taking it.

Maybe he was mediocre. Maybe he was middle-of-the-road. Mid-list. But he didn’t care, and he had no regrets. He didn’t compare himself other people, mainly because he tended to be too busy on his Next Big Thing.

I think I miss that about him more than anything.

Then I’ll BE unhappy! – Heroes, TV, and Ron Perlman

Posted on June 6, 2015April 28, 2024

(This is her world. A world apart from mine.)

So there was this show in the late eighties that in retrospect was kind of doofy, but perhaps only by today’s cynical standards: Beauty and the Beast, starring Linda Hamilton and Ron Perlman. I’ll admit it—I loved the show. I thought Perlman’s performances as Vincent were amazing. Vincent was everything I was, wasn’t, and wanted to be.

Was, because I felt like an outsider and a monster, too.
Wasn’t, because he was strong and fearless and could kick some ass when some ass needed kicking.
Wanted to be, because he also had an amazing voice, presence, and loved fully and passionately.

These were all part of my early-teen psyche. In the very first episode, when Vincent’s adoptive father declares, in reference to Hamilton’s Katherine character, “She can only bring you unhappiness,” Vincent snarls back, “Then I’ll be unhappy!”

Lo, how oft I quoted those lines to myself whilst pining away for she who I could never obtain! No kidding, I actually have this line quoted in one of my old journals. One of the reviews of MANICPIXIEDREAMGIRL references my protagonist, Tyler, as “trying hard to break his own heart.” It’s my favorite review line ever, because it is true in the novel and it was true for me in high school, and Vincent—half lion, half man; half human, half monster—encapsulated my crazy emotions in those years. So much so, in fact, that when I had the chance to jump into a tabletop role-playing game with some friends, I based my character off Vincent. I went on to play that character for about 20 years. In so doing, playing with some very gifted storytellers and actors, my writing skills quietly got better and better in the background. (I later wrote a descriptive essay about that character and was accused of plagiarism because my writing “far exceeded the abilities of a comp 101 student.” True quote! Uh…my bad?)

(From the moment I saw her, she captured my heart with her beauty, her warmth, and her courage.)

So when I finally, after some 25 years, got to meet Ron Perlman in person at Phoenix ComiCon 2015, I just hoped I wouldn’t start bawling when I got to his table. (I didn’t.) Getting to shake his hand and explain that his storytelling, his character work in the show, inspired me in my own writing and that now I had books published by the likes of Random House, Abrams, and Simon & Schuster…it was just one of those I’m-meeting-my-rock-star! moments.

I gave the guy who played Vincent one of my novels. This is full-circle on a level that’s hard to explain.

He won’t read the thing; none of the people I’ve given my books to do, will, or have, I don’t reckon; and that’s okay, that’s not why I give them. I give them because it’s important to me to tell them how much their work mattered in my life. It’s important to me to show some tangible proof of my gratitude.

Because those stories do matter.

A lot of people don’t get all worked up over meeting celebrities, and I think that’s great. Some of us get riled up about celebrities not because they are special or powerful or whatever. They’re people. They go to work. Their work might seem glamorous, but I know just enough about the biz to know it’s anything but that a lot of the time (four hours in a make-up chair? Glamorous!). But still we get shook up when we meet them because they were the visible part of telling a story that perhaps said things we couldn’t.

“I am a monster, and I can never have what I really want because of it.” This was Vincent’s fate, and he knew it, and he let it get the better of him, and that is what I needed to see every week when I was 14. I don’t want to feel better, I want to feel whatever it is I am feeling right now, to the absolute fullest. Why do I write YA? Because so much of it, the real “it,” is exactly like that, and it’s a heady, breathtaking place to live for a little while.

In hindsight, Vincent and Katherine’s love affair, such as it was, wasn’t terribly mature. It couldn’t be, because good TV isn’t generally made about healthy relationships; conflict by necessity must be at a story’s core. I wouldn’t trade my awesome marriage for Vincent’s super strength and enhanced senses or his poetic pining; no thanks! But then I’m not 14 anymore, either. At 14? Oh hell yeah, that’s exactly what I needed to hear and see—that this monster knew what I was going through. So when I get a chance to meet the man who made that character come alive? A character who so deeply impacted my life and, in a roundabout way, my career?

Yeah. I’ll get a little choked up, all right? I can own that.

(I knew then as I know now that she would change my life forever.)

“It’s a TV show, dammit! It’s just a TV show!” barked William Shatner in a classic SNL skit. He’s right of course. It’s just a TV show.

But TV shows, movies, novels, poems, plays, songs…these things reveal to us and for us many things we can’t often express, even to ourselves. So I have no problem with anyone getting excited over meeting a person whose work has impacted them. Standing in line at Con this May, watching the thrilled, happy faces of fans after having met one of their favorite actors (or authors, or artists)…it’s a good thing. A very good thing, for everyone involved. Whether that person is an actor, athlete, musician, director, writer, artist, chef—whoever—it’s a noble thing they do, and I think a noble thing for us to say thank you. If what they did or do keeps us going one more day, then gratitude is the only reasonable reaction.

Things To Do While Still In High School #1 – Own the Angst

Posted on November 4, 2014November 5, 2014

While everyone else was out drinking, getting high, or, you know, going on dates with actual girls, I was doing this, with apologies in advance to any Depeche Mode fans:

Can you feel the angst? It drips from the ceiling. The story behind this video is not the point (it’s a good story, maybe for later). The point is, you should do this.

I don’t necessarily mean making an angst-ridden video, although I know that happens a lot on YouTube and elsewhere. (Here, I was going to post an example YouTube video, but I got too depressed reading the comments people were leaving. The shit people feel free to say online drives me insane, hence my novel RANDOM, which is inspired by real events and by events you probably have experienced yourself, statistically speaking.)

The reality is adolescent brains are cooking on overtime. You probably know that much. That’s not an excuse to do stupid or dangerous things. Don’t drink and drive, for example. Don’t get pregnant or get anyone pregnant (just trust me on that one, okay? You’ll be glad later if you dodge that).

But while I’m a huge proponent of #stayhere and not doing things your body or mind can’t recover from, I also believe you should be yourself, and experience everything there is to experience right now. Angst is good. It can be harmful, but it can also be a lot of fun. It’s like, on the one hand, people are always telling you to grow up, and that’s fair; this is your origin story. The decisions you make today will reverb down through the rest of your life. They will. I promise, they will. Good and bad ones, they’ll stick with you. So make good ones.

But on the other hand, don’t grow up too fast, either. See, the other side of this “grow up” mentality that most so-called grown-ups won’t tell you is that this is when you should fail. You should reach for the sky and get knocked down. It’s so much better to do that now than in your twenties, and better in your twenties than your thirties, and so on. (We’ll talk about your twenties some other time. That’s a whole other mess.)

I’m not saying to be irresponsible. On the contrary, you should be exceptionally responsible, because that’ll pay off later. But go up and ask that guy that out! Ask that girl out! Go on adventures. Stay up till the sun rises once in a while. Confide your secrets. Give your heart to someone, and then survive when he or she tosses it casually into a woodchipper. Which he or she will inevitably do.

And when everything goes wrong, make an angsty music video.

Then go dance, sing, lip-synch, whatever. This is your time. Own it. Yes, be careful…but own it all the same. Life will settle down soon enough. Sooner than you can imagine. Don’t rush for it.

Maybe I’m telling you stuff you already know, in which case—good! I’m glad you’re out there kicking metaphorical ass and having a great time.

But if you didn’t know this, if you didn’t realize that this was your time to both shine and suffer, then I encourage you to try both. I’m not advising you this because I regret not doing it myself—I’m advising you this way because I did. We lived up every second of high school, good and bad, diving deep into whatever the moment brought. I got hurt. I hurt others. I regret the second one, but not the first.

I don’t write YA because I didn’t have a great time; I write YA because I did. And I want you to. All of you. All of us.

Anyway. Sermon over. Have a great weekend, huh?

And, P.S. Just in case any friends want to leave snarky comments, remember – I have your videos too. Don’t push me, man. Don’t push me.

Take care, stay here, say words.

~ Tom