You Will Play Until I Say You Stop

A bit of doll horror to get your heart rate up…


It crept from the dollhouse on spiderlegs, too many joints, too many limbs.

Alexandra watched it first in fascination then with a growing dread that made her kidneys shrivel.

She’d named the doll Admordeo, a name which had merely slipped into her mind the moment the porcelain-cotton thing had been placed into her hands by her odd Aunt Chelsea. Aunt Chelsea, who favored the macabre in her dress, her entertainment, and her thought.

But Admordeo was a mouthful, just like Alexendra, so Alex started calling her Addie.

That had been yesterday. No — today. Earlier today.

Alex wanted to look at her green digital clock, but was afraid that if she took her eyes off the slowly crawling thing from the dollhouse, Addie would disappear, just like spiders always disappeared the very instant you went to get a swatter or shoe.

So Alex didn’t look away, though she intuited it was quite late. Too late to shout for Mom or Dad — they’d be so angry if she woke them again.

Addie, on her delicate hands and feet, crept closer still, her head up and bright black eyes staring at Alex. Some starlight filtered through Alex’s window, softened by sheer curtains, but she could see. Yes, she could see the doll’s eyes as black as sharks’ and the way Addie’s small mouth slowly began to grin.

“Stop,” Alex whispered.

The doll shot across the floor. It skittered, and Alex heard its little feet tittering across the floorboards like tiny wooden giggles.

Then the toy was up the quilt and racing toward Alex’s face. Addie’s grin grew wider, splitting her white face at the cheeks.

Alex inhaled for a scream — she’d risk waking up her parents — but the doll was faster. Alex felt its slight weight on her legs, her hips, her chest, and now her throat.

An inhuman hiss issued from the doll’s gaping maw, smelling briefly of garlic and old urine. It gagged the little girl, and then it was too late.

Addie the doll, her slender hands as sharp as tacks, tore into Alex’s open mouth. Alex instinctively bit down, and felt the wriggling and writhing of the doll’s arms like earthworms between her lips.

The toy hissed again, its features twisting into a mask of rage and hate. Alex coughed as blood ran down her throat and into her belly. This freed Admordeo to resume her attack with more ferocity. She tore the child’s tongue, bit her cheeks, scratched her face.

In mortal terror, Alex fought to push the wicked thing off her. Addie’s strength, she discovered, came from some other place, some magic from beyond this world that only a child could ever understand.

When Addie plunged her sharp hands into Alex’s eyes, the child was mercifully already gone.

THE END


Wow, what the hell was THAT? I dunno, but it creeped me out, and I guess that’s all that matters. If you dig haunted dolls and such, be sure to read my short novel Those We Bury Back. Excellent killer doll sequences! (That is an affiliate link, BTW.)

Happy Halloween… 🙂

It’s the Not-Knowing

by Tom Leveen

© 2022

 

A hooded figure sat at Jack’s computer when he came down that morning. Jack, quite naturally, gasped, cursed, and stepped backward at the site of the hood, bathed in the blue light of the computer monitor on the desk before it.

 

“The hell?” Jack demanded, feeling his shoulders tense up and hands clench into fists. He licked his lips, wishing for a weapon. None were at hand. Jack worked at home and was a CPA who barely watched action movies, never mind owning anything that might defend life and limb.

 

“Get out of here!”

 

His voice was weak and cracked at the end, making Jack wince. Dammit.

 

“Go on!” he tried again. “Get!”

 

Like the ominous figure was a misbehaving puppy. Predictably, the words had no effect.

 

Jack glanced behind him at the open door. Obviously, the smart move here was to run, to go back to the kitchen where he’d left his iPhone charging, and call the police. They’d deal with the intruder just fine, by God they would!

 

Only . . .

 

They wouldn’t. Jack felt this truth like knives piercing his palms and feet, pinning him to this time and this place.

 

The room was dark except for the monitor, and it cast its light against the robe and hood in a way that made a black hole where a face should have been. The tip of a nose, the glint of an eye . . . something should have shown the figure to be human, but the blank space in the hood offered no such consolation.

 

So Jack figured it was Death.

 

It sat still. Motionless. No bony hands rested on the desktop, and no brimstone odor leaked from the folds of its black robe. Still—Jack felt deeply that his guess was right.

 

Death faced forward—well, “faced” being a relative term in this case—while Jack stood just a bit to the side, so that the figure wasn’t looking at him head-on. Instead it faced the screen. From his position by the door, Jack couldn’t see what might be on it, nor could he remember what he might have left up on the screen yesterday when his workday was done.

 

An Excel sheet? Some client’s bank statement? A video game he knew spent too much time on?

 

The light never flickered, so Jack assumed it was a static image. Perhaps just his desktop, with whatever quasi-inspiring image Bill Gates’ people had seen fit to push through that day.

 

“Look,” Jack said, again trying to moisten his lips. “I get it, okay? I know who you are. So, what now, do I get another chance? Is this just a warning? Look, I’ll eat more vegetables, okay? It’s not like I smoke. I don’t even drink a lot. So, come on. Another shot, huh?”

 

Death didn’t move.

 

“Well you don’t have to be a dick about it!” Jack shouted. “If we’re going to do this, then come on, do it! I’m . . . I’m ready!”

 

Lie. Total and utter. He wasn’t ready.

 

Death didn’t make a sound.

 

Jack gripped his short hair in hands. It felt melodramatic, but hell, life didn’t get more melodramatic than this.

 

“I’m talking to you! Answer me, say something! What? What do you want?”

 

While the figure made no movement, Jack heard a stealthy, slithering sound emanating from the dark folds of the robe. Cloth rubbing together, like arms shifting. But he could see no movement.

 

It occurred to Jack then to turn on the damn overhead light, but he hesitated, afraid of what the light might reveal. What if he then could see into the hood? What sort of Lovecraftian horror might be gazing back?

 

Jack released his hair and hugged his own body tightly, pounding his right fist against his chest. “Come on! Just do it, okay? You’re here for a reason, just get it over with!”

 

No response.

 

Jack shrieked. The madness of not knowing his fate grew like a geyser of India ink in his belly and torso, swirling black and heavy. He stamped his feet like a child.

 

“What are you waiting for? I’m here, I’m right here!”

 

Death offered no new sound, no motion.

 

The strain nipped at the edges of Jack’s sanity. In an ecstasy of tension, he gripped the sleeves of his shirt and tore them away. The old fabric whispered apart in his hands.

 

“What do you want from me? Huh? Are you the Ghost of Christmas Wasted or something? Speak!”

 

At that, the hooded figure slowly turned its head.

 

It was a slow, deliberate motion that obeyed all known laws of physics, yet at the same time, the gesture had an ethereal quality to it Jack could not pinpoint. The closest thing his addled mind could compare it to was the movement of a snake, which always disgusted him; they had no legs, how could they move? Here it was the same: the figure did not have a visible structure, no bone, muscle, sinew. How could it move?

 

Despite the movement, the darkness within the hood only appeared to grow thicker, revealing nothing. No pinprick ice-blue lights for eyes, no glimmering ivory fangs. Just darkness.

 

Jack raked his fingernails down his face and screamed. “What, what, what, what?”

 

He pulled thin layers of skin off, leaving burning tracks behind. It felt good, for a moment; felt good to feel, felt good to control, felt good to hurt. Pain meant he was still here.

 

So he did it again, and again. Bellowing rage at the dark figure, Jack fell to his knees and dug his fingers into his mouth. Pulled, hard, until the thin flesh gave way in a flood.

 

“What, what, what?

 

By the time Jack stuffed his fingers into the soft skin below his eyes, he was well and truly insane. He tore his face to pieces until dead, lying prone against the thick-pile carpet in his office. It sucked eagerly at his blood.

 

The figure observed all this without a sound. When the deed was finally done, it rose gracefully from Jack’s leather chair. The robe fell neatly into place like drapery. It moved silently across the room and stepped easily over Jack’s mutilated body.

 

It was not Death, but Death’s assassin.

 

It was the not knowing that killed them.

 

THE END

Never Abandon the Blissful Value of Saying What Can’t Be Said

MIXTAPE

by Tom Leveen

(c) 2022

 

A mixtape says the things you can’t. Or won’t.

Or sometimes: shouldn’t.

Mikey fretted over this daily as he sorted through song after song, classics and new hits, trying to compose his feelings with someone else’s music.

Some of it depended on his mood. Some days it was all AC/DC, which he knew Glorietta liked from back in the day. But this wasn’t the sort of situation where one could blithely record Highway to Hell onto the mix, even if it was one of her favorites. The title was just too . . . inappropriate.

He leavened today’s tape with some old R.E.M., thinking some of the lyrics of Driver 8 said a lot of what he wished to say: take a break, we’ve been on this trip too long.

He’d never say that to her. Even if he could muster up the courage and, hell, write the words down, they still wouldn’t come out right. He had way too much experience with that. Glorietta deserved his best.

Nirvana next? No, too abrasive. Poison? No, a power ballad didn’t work either, not today.

Checking the time—he did not want to be late, so as to maximize their time together—Mikey hurriedly chose some Midnight Oil, followed by U2. Classic stuff. Despite not the world’s biggest U2 fan, in his opinion, The Joshua Tree was one of the top great albums ever made.

Minutes ticked away as he painstakingly constructed the opus. He didn’t have a title for it yet; previous incarnations included A Fragile Flash of Lightning, riffing off Pink Floyd’s Delicate Sound of Thunder. Glorietta—she preferred “Glory”—had given him a brief laugh for that, which Mikey cherished. Last week he’d gone full metal-head, nothing but Megadeth, Slayer, Anthrax, Metallica, Skid Row, Queensrÿche, Flotsam and Jetsam . . . and called it Wish You Were Hair, bemoaning that he’d lost his own long locks some time ago and still feeling pretty pouty and petty about it.

Petty! Of course.

Wildflowers became the last song on side B. Glory belonged among the wildflowers, most definitely.

Mikey hesitated as he scrawled the song title on the lined white insert. Did Wildflowers imply too much? That he, Mikey, should be her lover?

No, he decided. Most of the lyrics seemed very pointed at wishing the best for the other person. If that happened to come from a place of pure love and affection and . . . okay, fine, lust . . . Glory wouldn’t be any the wiser.

He hoped. God, the last thing she needed right now his sappy confession of love. No way, man.

Mikey snapped the cassette into its case and ran for his bike. If he pedaled hard, he’d get there just in time.

He got to the hospital one minute after Glory’s visiting hours began. A little breathless, he peeked into her room to see if she was awake.

She was. Barely. The TV was on. Family Ties.

“Hey,” Mikey whispered, still peering around the open door, not wanting to come in without Glory’s permission.

“Hey, you,” Glorietta said, and motioned with her fingers.

It was all the strength she had, and it was all the invitation Mikey needed. He slid into the room and went to the side of the wide bed, where he slipped the case into her hand.

“I, uh, I made . . . I made this . . . um . . . it’s, it’s a new—”

Even in her emaciated state, Glory’s smile lit his insides on fire.

“You know, Michael, one of these days . . .” She had to pause to take a breath. “You’re gonna have to bring a Walkman. Remember those?” Another pause. “Or you could just send me a Spotify list.”

He shook his head. “Not the same.”

“No,” Glory said. “It’s really not. You’re right.”

She lifted the tape to her face, squinting. “I Still Haven’t Found What I’m Looking For. Christ, Michael, you’re fifty-five years old, you better get on it.”

Glory smiled again as Mikey shuffled his feet. He wanted to say, “I did. I did find what I was looking for. Forty-five years ago when you moved in next door.”

But he couldn’t, and wouldn’t.

And, probably, oughtn’t.

All these years, nothing but friends. Through her various boyfriends, her first husband, her divorce, her second husband, him leaving her. Never having kids, career like a pinball in one of the old machines they used to play back in the neighborhood growing up. Then finally, this illness. He’d been the best friend he could. So he came every day with a new tape, and he’d keep coming until the inevitable end.

It was nearer than he cared to think about.

Glory gently put the cassette on a nearby table with several others Mikey’d brought over the past couple weeks. He almost helped her do it, her gesture was so weak. But he knew her stubbornness well. She would have given him a raft of shit for helping.

After the tape clattered mildly against the table top, Glory then stretched out her hand toward him.

“Michael.”

Perplexed, he took her hand. She was so cold.

“You don’t have to keep doing this.”

“Yeah, but, I . . . I mean, I do, I want to, I like to . . . unless you want me to stop.”

Glory shook her head weakly against the pillow. “No. Don’t do that. I’m just saying.” A pause. “You have a life. You don’t have to come if you don’t want.”

Mikey licked his lips, eyes darting. The words were right there, he could taste them in his mouth.

They wouldn’t come.

In a burst, Mikey snatched the new mixtape off the table and popped open the tiny radio-cassette player he’d brought on his first visit. He jammed the tape inside, slapped the tray shut, and pressed the play button.

Freddie Mercury said what he couldn’t. Mikey glanced at Glory, to see if she understood.

Glorietta pressed her lips together.

“Yeah,” she said quietly as the song played. “You’re mine, too.”

Mikey smiled, pulled a plastic molded chair to her bed, and sat down. Glory offered her hand again, and he took it.

She fell asleep an hour later in the middle of Tom Petty’s Wildflowers. Mikey stayed by her side until visiting hours were over.

He’d come back tomorrow. Maybe with some Beastie Boys.

 

THE END

Me and John Hughes in the same sentence

I don’t have a lot to say about this review for the movie based on Party except…HELL YEAH!

“The Party” Review: A Modern Day Tale in the Spirit of John Hughes

 

And to top it all off the comic book based on Party is also coming out in the first part of next year!

 

 

 

 

 

 

 

 

 

 

 

Thank you for being a part of all this!
~ Tom

What It Means To Make a Mixtape: How Adults Should Deal with Teen Drama

This Halloween Was No Trick

How was your Halloween? Mine was pretty good. My littlest had her first trick-or-treating extravaganza ever. She’s four now, which means she wasn’t really able to go trick-or-treating last couple years because of Covid. But she went last weekend and she made the most of it.

It was a mixed experience for me. I’m a big fan of Halloween, as some of you could probably guess. I’ve been catching up on my horror movies and so on.

There were a ton of people out there. That’s what made it a mixed bag for me. I don’t like crowds, not unless I’m the one standing up in front of them. (Then it’s totally okay.) But I just don’t do well with big groups of people these days. And there were a lot of people out. So frankly, I was pretty uncomfortable most of the night.

On the other hand . . .

It felt great. My heart was full. Honestly, I absolutely enjoyed and savored so many different people out together in the nice weather having a good time. Most people handing out candy were on their driveways, enjoying the evening. It was such a shift from the last couple of years.

I hope you were able to either pass out candy or have some yourself. I hope you had a good time. I hope the world was kind to you. That’s the thing about Halloween and those of us who love it. We love the scares, we love the ideas and the dressing up and the black lipstick and the skeletons and everything else. But in my experience, there are no more friendly, or approachable, or kind people in the world than fans of Halloween and horror. I don’t know if there’s a cause and effect relationship there or not, but most horror people I have met over the years I’ve been singularly cool.

I hope you had a wonderful Halloween, and Sarah would like you to know, it’s always a good time to trick or treat.

Take care,
~ Tom


P.S.
If you have avoided my horror stories thus far, let me recommend Those We Bury Back. It’s a quick read about a haunted house, inspired by some real events. Not scary, it’s more of a creeper, and I promise you a happy ending. Check it out here today.

When? Now.

This image is a composite of all the pages of my first comic book, Beckett’s Last Mixtape, which will be launching soon on Kickstarter.

I spent a lot of money on this. I don’t know if anyone will want it.

But I’ll have a comic book based on one of my favorite characters from Party.

Totally worth it.

It was worth it when I blew thousands of dollars to produce Ray Bradbury’s Fahrenheit 451 stage play for Chyro Arts Venue.

It was worth it driving to the tiny, antique town of Jerome with my wife a few weeks ago. Just for a few hours. (We found a great place for breakfast, and great place for fudge!)

That thing you want to do? Do it. Start today if you haven’t.

Dammit all, this is our only shot! Seize the day and all that. I don’t mean go skydiving or get a second mortgage to afford that European trip (although both of those are legitimate and entirely up to you).

That thing that sets your hair on fire. Do that.

You’ll be happier, and the world around you will be better for it.

Don’t wait.

Take care, be safe,
~ Tom

How To Forge Your Own Joy

When you read the word “forge,” what image comes to mind?

It’s probably not someone lounging on white sand beach, sunning and smiling.

Work in a forge is dangerous. It’s hot, heavy, sweaty work. It takes an enormous toll on the body. It takes a long time to learn. They don’t just “let” people into forges to make stuff. You have to be trained.

It’s not easy.

When looking back upon the times I consider most joyful, they came at the expense of hard work.

At age 45, completing a 13.5 hour crucible event conducted by retired Navy SEALs. That took months of mental and physical preparation, and I bawled when it was over (in the car — I’m not cryin’ in front of those guys!). It was one of the most joyful moments of my life.

Writing and staging a one-man show in my backyard for 120 people over two nights, for free. (And the standing ovation my actor got on opening night.) We spent ten weeks rehearsing that show, never mind the time it took to write. A pivotal moment in my life, utterly filled with joy.

Writing a novel (or two, or three), trying to get an agent, selling a book for the first time, bringing it to market, and doing a launch event at my local bookstore. That journey took more than twenty years. And was a complete joy.

There’s no Joy Fairy flying around bestowing joy in your life or mine.

There are happy accidents and twists of fate that can certainly bring a smile to our faces. Sure. There’s joy in “simple things,” like the giraffe I saw at the zoo today who was leaning over its enclosure to eat landscaping trees. We are almost close enough to touch. A simple, joyful moment.

I’m not dismissing those. Not at all.

But if you’re seeking the hard-core stuff . . . those highs of triumph and joy that make you momentarily immortal . . .

That takes work. Laborious, draining, sweaty work.

We forge real joy.

And it’s worth every drop of sweat.

Work for it.

Take care,
~ Tom

P.S.
Are you on Medium? Be sure to follow me there for writing advice and life encouragement! Tap or click: https://tom-leveen.medium.com/

How My Make-Believe Daughter Got a Book Published

I love all the kids in my debut novel Party, of course. And there is a little bit of me in each one of them. But I feel the most for Morrigan. My heart breaks for her.

I think it’s because she was based on a character I created who was an imagined child of mine.

Yeah. True story.

This is a promo mockup for the Party feature film, now called BUTTERFLIES.

I was dating someone and got to thinking about what our kids might be like. I smiled as I thought about it, and started writing a short little scene. In the scene, our kid–an only child, by the way!–was a teenager. A girl. And she and I were on our back patio having a conversation.

As happens often when I write, I lost track entirely of the story and just surfed the wave of inspiration. I felt invigorated when I was finished, and CTRL+HOME’d back to the top of the doc and started reading.

My jaw slowly dropped.

Our kid was in bad shape. I didn’t even know I was writing it like that. Far from being some tender, bucolic scene of heartfelt emotion, the scene was dark and broody and kind of unpleasant.

Worst — I didn’t come off too well in it.

That was the day I knew the relationship wasn’t going to go the distance. I was right. (Thankfully for both of us.)

So Morrigan was in many ways the first character to come to life in PARTY. When I had the idea to throw a bunch of dissimilar kids into a situation and see what happened, I knew the girl in that scene was going to be a part of it.

None of the actual words in that scene ended up in the published novel, but that’s her, no question.

Fan art commission of Morry.

Morrigan just wants to be seen. In particular by her dad. I know that feeling from both sides of it now. I try to remind myself of what happens to kids who get dismissed by their parents, and work harder at not letting that happen in my house.

Morrigan’s a good kid at heart. She really is.

I’m excited to see where she ends up in my new serialized novel, FADE INTO YOU, in which I pluck the characters from Party and plant them into the world of Zero – early 1990’s Phoenix in stead of early 2000’s Santa Barbara. She won’t be exactly the same — none of the characters will — but she’ll still be Morry, that sassy little brat who desperately seeks a connection to people.

So desperately it gets her into trouble from time to time,

But then, that’s where good stories come from, isn’t it?

If you’d like an e-book copy of Party, just click over to this page of the website, and I’ll email you one right away!

And if you want to learn more about the exclusive serial FADE INTO YOU, head over to patreon.com/tomleveen.

Talk to you soon,
take care,
~ Tom

The Magic of…Gilligan’s Island

I found myself thinking about Gilligan’s Island this afternoon (for no sensible reason I can discern), and remembering watching the endless re-runs on television as a kid.

Being little, it honestly never occurred to me that they were somewhere on a sound stage in Hollywood. It was Gilligan’s Island; they’d film it on an island, naturally.

Because when you’re that age, whatever is presented to you just is. Just like I never noticed the Brady siblings had no toilet in their awkwardly-shared bathroom.

As a parent now, particularly of my nine-year-old son, I am re-noticing the things that he does . . . well, notice. We have talked more than once (before scary movies, in particular) that everything on screen is just pretend, and he always seemed to accept that. I don’t think he believes that there’s a real King Kong wandering about.

It’s the job of storytellers like me to make our worlds as real to you as that desert island was to me, no matter how old our readers or viewers. It’s no small task, writing and crafting stories well enough that you can get utterly lost in them, lose track of time, or even–from time to time–gloss over a few hiccups. (How did Ginger and the Howells store all their clothes on that tiny boat?)

With every new story, it’s a new challenge. “Worlds” aren’t just about fantasy or science fiction or horror; Zero’s 1990s-era Phoenix is just as much a world as Tanin’s magical, monster-infested land of Kassia. Each time I set out to tell a new story, I’m hoping to create a place and time that feel authentic to my readers. To forget the reality of that sound stage and just enjoy a new adventure.

There are so many more worlds to create. I think I’ll get started!

Just sit right back and you’ll hear a tale…